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Volume: 22 | Article ID: art00001_2
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The Future is Here: UV Flatbed Printing for Fine Art
Bonny Pierce Lhotka
  DOI :  10.2352/ISSN.2169-4451.2006.22.1.art00001_2  Published Online :  January 2006
Abstract

Bonny Lhotka will present her work and the year long research project exploring UV printers for fine art. She, Dorothy Krause and Karin Schminke visited nearly a dozen manufacturers' locations to create experimental mixed media artwork. In this paper, she discusses the unique opportunities UV flatbed offer to fine artists, as well as their unique requirements for manufacturers. Appropriate substrates, features, and the opportunities to leverage white ink are evaluated, as well as suggestions to address the high cost of ownership for these capable devices.

Journal Title : NIP & Digital Fabrication Conference
Publisher Name : Society of Imaging Science and Technology
Publisher Location : 7003 Kilworth Lane, Springfield, VA 22151, USA
Subject Areas :
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 DOI 10.2352/ISSN.2169-4451.2006.22.1.art00001_2
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 articleview.downloads 5
  Cite this article 

Bonny Pierce Lhotka, "The Future is Here: UV Flatbed Printing for Fine Art"  in Proc. IS&T Int'l Conf. on Digital Printing Technologies (NIP22),  2006,  pp 322 - 322,  https://doi.org/10.2352/ISSN.2169-4451.2006.22.1.art00001_2

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Copyright © Society for Imaging Science and Technology 2006
72010410
NIP & Digital Fabrication Conference
nip digi fabric conf
2169-4451
Society of Imaging Science and Technology
7003 Kilworth Lane, Springfield, VA 22151, USA
2169-4451(20060101)2006:2L.322;1-
nip_v2006n2/splitsection1.xml
/ist/nipdf/2006/00002006/00000002/art00001
Articles
The Future is Here: UV Flatbed Printing for Fine Art
LhotkaBonny Pierce
01012006
2006
2
322
322
2006
Bonny Lhotka will present her work and the year long research project exploring UV printers for fine art. She, Dorothy Krause and Karin Schminke visited nearly a dozen manufacturers' locations to create experimental mixed media artwork. In this paper, she discusses the unique opportunities UV flatbed offer to fine artists, as well as their unique requirements for manufacturers. Appropriate substrates, features, and the opportunities to leverage white ink are evaluated, as well as suggestions to address the high cost of ownership for these capable devices.