An isolated light has a color appearance specified reasonably well by its wavelength, but the same light within a complex image can appear a quite different hue. How does the context of an image affect the appearance of an embedded light? A classical approach is to aggregate light from
throughout the image to determine an equivalent uniform background that has the same effect as the complex stimulus. Several models have been proposed to determine this ‘equivalent background’, including simple averaging of light, spatial weighting, and nonlinear neural responses.
The main point of this paper is that none of these models can succeed because
Steven K. Shevell, "Chromatic Variation: A Fundamental Property of Images" in Proc. IS&T 8th Color and Imaging Conf., 2000, pp 8 - 12, https://doi.org/10.2352/CIC.2000.8.1.art00003