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Volume: 14 | Article ID: art00050
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The Alchemy of Artists: From Pigments to Paintings
  DOI :  10.2352/CIC.2006.14.1.art00050  Published OnlineJanuary 2006
Abstract

Great painters not only can draw, they have an intuitive grasp on how to use color for visual and emotional impact. I will discuss how three artists have used color in their works. These are the American artists Winslow Homer, the Dutch artist Vincent van Gogh, and the Venetian artist Giovanni Bellini.Homer and van Gogh based their understanding of color on the theories of Michel-Eugène Chevreul. Homer owned a translation of Chevreul's “The Principles of Harmony and Contrast of Colours,” and he said that it was his Bible. He annotated several pages and made tables in the back in which he listed primary and secondary colors with their complements. In Homer's watercolors we see his use of both complementary and harmonious contrast to set a scene with either a emotional charge or calmness. Van Gogh's introduction to color theory was through the works of Charles Blanc. He wrote to his brother, Theo, about his reading of Blanc's books, which were used widely in art schools. Blanc used Chevreul's theories as the basis for his writing, but his discussions leaned to complementary contrast rather than harmonious contrast. Bellini painting around 1500, worked centuries before Chevreul published his mind-changing work, but his understanding of the power of placing complementary pairs of colors together and of the laws of color-mixing were intuitive.Van Gogh's letters are full of references to his desire for specific colorants and we know that Homer was equally judicious in his choice of painting materials, which changed over time. Bellini's palette was enriched by colorants we do not often see used as pigments for paint and he excelled in mixing them. Chemcial analysis of paint used by these artists shows how they employed pigments and examples will be presented. Each of these three artists' works provoke strong reactions: their emotional and aesthetic appeal is due not only to the subject matter but to theses artists' mastery of the mixing and arrangement of color.

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Barbara Berrie, "The Alchemy of Artists: From Pigments to Paintingsin Proc. IS&T 14th Color and Imaging Conf.,  2006,  pp 273 - 273,  https://doi.org/10.2352/CIC.2006.14.1.art00050

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