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                <front>
                    <journal-meta>
                    <journal-id journal-id-type="publisher-id">cic</journal-id>
                    <journal-title>Color and Imaging Conference</journal-title>
                    <issn pub-type="ppub">2166-9635</issn><issn pub-type="epub">2166-9635</issn>
                    <publisher>
                        <publisher-name>Society for Imaging Science and Technology</publisher-name>
                        <publisher-loc>IS&amp;T 7003 Kilworth Lane, Springfield, VA 22151 USA</publisher-loc>
                    </publisher>
                    </journal-meta>
                    <article-meta>
                    <article-id pub-id-type="doi">10.2352/CIC.2023.31.1.17</article-id>
                    <article-id pub-id-type="publisher-id">16</article-id>
                    <article-categories>
                        <subj-group>
                        <subject>Proceedings Paper</subject>
                        </subj-group>
                    </article-categories>
                    <title-group>
                        <article-title>What Underlies Focal Colours?</article-title>
                    </title-group><contrib-group content-type="all"><contrib contrib-type="author"><name>
                            <surname>Funt</surname>
                            <given-names>Brian </given-names>
                           </name> <xref ref-type="aff" rid="aff1author1"/></contrib><aff id="aff1author1">Simon Fraser University, Canada</aff></contrib-group><contrib-group content-type="all"><contrib contrib-type="author"><name>
                            <surname>Roshan</surname>
                            <given-names>Emitis </given-names>
                           </name> <xref ref-type="aff" rid="aff1author2"/></contrib><aff id="aff1author2">Simon Fraser University, Canada</aff></contrib-group><abstract>
                    <title>Abstract</title>
                    <p>Colour names are generally attributed to specific colour categories, of which the most representative colour is termed a focal colour. The question as to what underlies this categorization is addressed in this paper. Are the categories simply a naming convention of colours with a specific ‘perceptual salience?’ Results based on the wraparound Gaussian model of reflectances show that colour categories follow naturally from a perception-agnostic segmentation of colours defined in this space. In other words, a segmentation based only on colour coordinates, not perceived colours. Furthermore, it is demonstrated that the concept of a focal colour can be explained as a colour that is both (i) representative of a colour category, and (ii) relatively stable under a wide range of illuminant spectra without depending upon chromatic adaptation.</p>
                    </abstract><pub-date>
                        <day>13</day>
                        <month>11</month>
                        <year>2023</year>
                        </pub-date><volume>31</volume>
                    <issue-acronym>CIC</issue-acronym>
                    <issue-title>31st Color and Imaging Conference</issue-title>
                    <issue seq="16">1</issue>
                    <fpage>86</fpage>
                    <lpage>90</lpage>
                    <permissions>
                         <copyright-statement>©2023 Society for Imaging Science and Technology </copyright-statement>
                        <copyright-year>2023</copyright-year>
                    </permissions><kwd-group><kwd>focal color</kwd><kwd>categorical colour</kwd><kwd>colour naming</kwd><kwd>illuminant invariance</kwd><kwd>wraparound Gaussian</kwd><kwd>KSM hue coordinates</kwd></kwd-group></article-meta>
                </front>
                </article>