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<article article-type="research-article">
  <front>
    <journal-meta>
      <journal-id journal-id-type="aggregator">72010410</journal-id>
      <journal-title>NIP &amp; Digital Fabrication Conference</journal-title>
      <abbrev-journal-title>nip digi fabric conf</abbrev-journal-title>
      <issn pub-type="ppub">2169-4451</issn><issn pub-type="epub"/>
      <publisher>
        <publisher-name>Society of Imaging Science and Technology</publisher-name>
        <publisher-loc>7003 Kilworth Lane, Springfield, VA 22151, USA</publisher-loc>
      </publisher>
    </journal-meta>
    <article-meta><article-id pub-id-type="doi">10.2352/ISSN.2169-4451.2010.26.1.art00043_1</article-id>
      <article-id pub-id-type="sici">2169-4451(20100101)2010:1L.152;1-</article-id>
      <article-id pub-id-type="publisher-id">nip_v2010n1/splitsection43.xml</article-id>
      <article-id pub-id-type="other">/ist/nipdf/2010/00002010/00000001/art00043</article-id>
      <article-categories>
        <subj-group>
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>Visual Information &#x2013; From Print Physics to Art</article-title>
      </title-group>
      <contrib-group>
        <contrib>
          <name>
            <surname>Schneider</surname>
            <given-names>Josef O.</given-names>
          </name>
        </contrib>
      </contrib-group>
      <pub-date>
        <day>01</day>
        <month>01</month>
        <year>2010</year>
      </pub-date>
      <volume>2010</volume>
      <issue>1</issue>
      <fpage>152</fpage>
      <lpage>155</lpage>
      <permissions>
        <copyright-year>2010</copyright-year>
      </permissions>
      <abstract>
        <p>The question whether information is beyond the technical definition (Shannon) a physical category (It from Bit?) is discussed. If the coding of a system is nearly the same as creating the system (in human culture and in quantum physics alike?), the linkage of meaning and coding is a
 fascinating task ahead. In examples like hinting in visual information (text/images), content related workflow management in print production, WYKIWYG (what you know is what you get) art interpretation and in approaches towards a pictorial score (emphatic painting and expression recognition)
 this situation is illustrated.</p>
      </abstract>
    </article-meta>
  </front>
</article>
