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<article article-type="research-article">
  <front>
    <journal-meta>
      <journal-id journal-id-type="aggregator">72010350</journal-id>
      <journal-title>Color and Imaging Conference</journal-title>
      <abbrev-journal-title>color imaging conf</abbrev-journal-title>
      <issn pub-type="ppub">2166-9635</issn><issn pub-type="epub"/>
      <publisher>
        <publisher-name>Society of Imaging Science and Technology</publisher-name>
        <publisher-loc>7003 Kilworth Lane, Springfield, VA 22151, USA</publisher-loc>
      </publisher>
    </journal-meta>
    <article-meta><article-id pub-id-type="doi">10.2352/CIC.2008.16.1.art00022</article-id>
      <article-id pub-id-type="sici">2166-9635(20080101)2008:1L.112;1-</article-id>
      <article-id pub-id-type="publisher-id">cic_v2008n1/splitsection22.xml</article-id>
      <article-id pub-id-type="other">/ist/cic/2008/00002008/00000001/art00022</article-id>
      <article-categories>
        <subj-group>
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>Brighter, more colorful colors and darker, deeper colors based on a theme of brilliance</article-title>
      </title-group>
      <contrib-group>
        <contrib>
          <name>
            <surname>Heckaman</surname>
            <given-names>Rodney L.</given-names>
          </name>
        </contrib>
        <contrib>
          <name>
            <surname>Fairchild</surname>
            <given-names>Mark D.</given-names>
          </name>
        </contrib>
      </contrib-group>
      <pub-date>
        <day>01</day>
        <month>01</month>
        <year>2008</year>
      </pub-date>
      <volume>2008</volume>
      <issue>1</issue>
      <fpage>112</fpage>
      <lpage>116</lpage>
      <permissions>
        <copyright-year>2008</copyright-year>
      </permissions>
      <abstract>
        <p>A methodology for achieving brighter, more colorful colors and deeper, darker colors based on Evans' zero gray (G<sub>0</sub>) and his concept of brilliance as a percept in color vision was demonstrated in media produced under current digital video and digital cinema standards
 &#x2013; basically the sRGB set of primaries. Objects or surfaces in a scene represented in sRGB as having gray content in the Evans sense are rendered as original. Flesh tones are preserved. Those features not having gray content &#x2013; a highly colorful arrangement of flowers, a clear blue
 sky, and the glossy red lipstick of a beautiful lady &#x2013; are made brighter, more colorful and deeper, darker when rendered in a set of primaries that emulate, for example, the xvYCC encoded standard and whose colors extend beyond those of sRGB.</p>
      </abstract>
    </article-meta>
  </front>
</article>
